Wednesday, November 23, 2011

"LOVE AND HUGS" SALT & PEPPER SHAKER SET *GREAT GIFT IDEA FOR FRIENDS, LOVED ONES, WEDDING, ETC"

  • As featured in Wallpaper- and I.D. magazine.
  • Great universal gift idea.
  • Size: 3" height.
Erin Snyder has given up on men. Once she has sex with them, they never call her again. She has to be doing something wrong, but has no idea what. She decides only her best friend Luke Duvall can help her.

Luke can’t believe Erin’s suggestion that they have sex. No matter how alluring or attractive he finds her, he doesn’t want to mess up their friendship by bringing sex into it.

A combination of a hot evening, a cool swimming pool, and steamy conversation breaks down Luke’s reservations. He and Erin have the wildest, most earth-shattering sex either of them have ever experienced.

Doubts plague both of them the next morning. If they take a risk on falling in love, it will either change their friendship into something more precious, or destroy it for! ever.

Approximately 14,000 words.
Erin Snyder has given up on men. Once she has sex with them, they never call her again. She has to be doing something wrong, but has no idea what. She decides only her best friend Luke Duvall can help her.

Luke can’t believe Erin’s suggestion that they have sex. No matter how alluring or attractive he finds her, he doesn’t want to mess up their friendship by bringing sex into it.

A combination of a hot evening, a cool swimming pool, and steamy conversation breaks down Luke’s reservations. He and Erin have the wildest, most earth-shattering sex either of them have ever experienced.

Doubts plague both of them the next morning. If they take a risk on falling in love, it will either change their friendship into something more precious, or destroy it forever.

Approximately 14,000 words.
Six minority lesbians navigate their way through life s challenges with attitude and a fabulous sense of s! tyle! Since its debut in 2008, THE LOVERS & FRIENDS SHOW, ! with its honest and often humorous depiction of urban lesbian life, has opened the eyes of people within and outside of the LBGT community. Charming, funny, bright, seductive and mischievous are just a few of the words describing the characters: Lisa (Kendall Starr), a med student new to the world of lesbianism; Kai (Marlaina Law), the best friend with the heart of gold who is dealing with her psycho ex-girlfriend; Tori (Nicole Pina), the entertainment columnist who falls in love with her boss; Yasmin (BeBe Brunswick), an outspoken political firecracker; Mercedes (Christy Rodriguez), the social climbing magazine editor and Dre (Shakelia Tharpe), the bad boy sweet talker who keeps a flock of women.Friend & Lover, Reach Out of the Darkness

Like a lot of late-’60s rockers, husband-and-wife team of Jim Post and Cathy Conn came out of the folk scene (the Chicago folk scene, in! this case) to score on the charts with this album’s title cut, which was adopted as something of an anthem by the protest movement during what was indeed a "dark" time for American politics. The resulting album, which featured the instrumental and production talents of Joe South and Ray Stevens among others, is an utterly charming blend of ‘60s pop-rock, soul and psychedelia, long requested by our customers and reissued here with notes containing extensive quotes from Jim Post himself! A Collectors’ Choice Music exclusive!Reed Lewis thinks his best friend, Paige Thomas, is engaged to the wrong man, so he devises a holiday ruse to make her see things his way. Celebrate the season with a light-hearted holiday romp about two friends on the path to becoming so much more, and the grandmother who helps them get there.

REVIEWS
". . .a sham engagement between two longtime attorney friends leads to the real thing just in time for New Year's Eve in Angela D. B! enson's funny and engaging 'Friend and Lover'." -Library Journ! al

"This was a hilarious story of two people with truly a loving friendship. . .If you have not read this one, then you must read it. It is not only funny, but touching. I am sure that you will enjoy it." --Reader from Baton Rouge, LAReed Lewis thinks his best friend, Paige Thomas, is engaged to the wrong man, so he devises a holiday ruse to make her see things his way. Celebrate the season with a light-hearted holiday romp about two friends on the path to becoming so much more, and the grandmother who helps them get there.

REVIEWS
". . .a sham engagement between two longtime attorney friends leads to the real thing just in time for New Year's Eve in Angela D. Benson's funny and engaging 'Friend and Lover'." -Library Journal

"This was a hilarious story of two people with truly a loving friendship. . .If you have not read this one, then you must read it. It is not only funny, but touching. I am sure that you will enjoy it." --Reader from Baton Rouge, LAIn! this delightful second installment in Alexander McCall Smith’s bestselling detective series, the irrepressibly curious Isabel Dalhousie gets caught up in a highly unusual affair of the heart.When Isabel is asked to cover for vacationing Cat at her delicatessen, Isabel meets a man with a most interesting problem. He recently had a heart transplant and is suddenly haunted by memories of events that never happened to him.The situation piques her insatiable curiosity: Could the memories be connected with the donor’s demise? Naturally, Isabel’s friend Jamie thinks it is none of Isabel’s business. Meanwhile, Grace, Isabel’s housekeeper, has become infatuated with a man at her spiritualist meeting, and Cat brings home an Italian lothario. That makes for some particularly tricky problemsâ€"both practical and philosophicalâ€"for Isabel to unravel in this enormously engaging and highly unusual mystery.


From the Trade Paperback edition.In this deligh! tful second installment in Alexander McCall Smith’s bestsell! ing dete ctive series, the irrepressibly curious Isabel Dalhousie gets caught up in a highly unusual affair of the heart.When Isabel is asked to cover for vacationing Cat at her delicatessen, Isabel meets a man with a most interesting problem. He recently had a heart transplant and is suddenly haunted by memories of events that never happened to him.The situation piques her insatiable curiosity: Could the memories be connected with the donor’s demise? Naturally, Isabel’s friend Jamie thinks it is none of Isabel’s business. Meanwhile, Grace, Isabel’s housekeeper, has become infatuated with a man at her spiritualist meeting, and Cat brings home an Italian lothario. That makes for some particularly tricky problemsâ€"both practical and philosophicalâ€"for Isabel to unravel in this enormously engaging and highly unusual mystery.


From the Trade Paperback edition.As featured in Wallpaper- and I.D. magazine. The very nature of this set connotes love, making it a perfect gift for your loved ones! The bold use of black and white suggests that we are all brothers and sisters on this planet and we need to treat each other with kindness, compassion and respect. The rethinking of a salt and pepper set on this level, as well the clever geometric aspect of the design and the inherent ergonomic and storage benefits that it provides all contribute to the design's universal appeal. Size: 3" height

Chloe New for Women. Eau De Parfum Spray 2.5-Ounces

Brothers & Sisters: The Complete Fourth Season

  • BROTHERS & SISTERS: THE COMPLETE FOURTH SEASON-6-D (DVD MOVIE)
Four adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played! respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and th! ey look to seek revenge.Bound by love for their slain adoptive! mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the ! way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it wa! lks a fine line of credibility with a mythic vengeance plot (r! ecalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled! with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonFour adopted brothers come together to bury the woman who raised them. At the funeral, the brothers discover that their mother was murdered, and they look to seek revenge.Bound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, G! arrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the! killers , only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonBound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage ! to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to discover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Ter! rence Howard as a tenacious detective) lend emotional dimensio! n to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonBound by love for their slain adoptive mother, the brothers in Four Brothers form a unique quartet that gives John Singleton's film a razor's edge of redemption. It's a thin edge, to be sure, because while Singleton's urban Western pays homage to the Blaxpoitation films of the '70s (as he did with his remake of Shaft), it walks a fine line of credibility with a mythic vengeance plot (recalling John Wayne's 1965 hit The Sons of Katie Elder) that endorses violence as the last resort of a family under siege. When a saintly foster mother (Fionnula Flanagan) is gunned down in a convenience store, her only adopted sons (two white, two black, played respectively by Mark Wahlberg, Garrett Hedlund, Tyrese Gibson and Andre Benjamin) go after the killers, only to di! scover that their mother's death was not a random event. As they uncover a sticky web of criminal activity involving a local kingpin (Chiwitel Ejiofor), the character-driven plot races toward an inevitable showdown, with ex-con Wahlberg leading the way. Making excellent use of blue collar locations in Detroit, Singleton keeps the action moving fast enough that the film's lack of realism is easily ignored, and the well-drawn characters (including Terrence Howard as a tenacious detective) lend emotional dimension to an otherwise familiar revenge scenario. Four Brothers is manipulative, but it's filled with grace notes of rugged working-class humanity, and it definitely holds your attention. --Jeff ShannonWelcome the Walkers back into your home with the emotional fourth season of the warm and witty drama that explores the triumphs and tragedies of the American family. Featuring one of the most celebrated casts on television, including Sally Field, Calista Flockh! art, Rob Lowe, and Patricia Wettig, ABC’s Brothers And Siste! rs is †œinstantaneously seductive,” raves the Wall Street Journal.

No matter how much life changes, family stays the same. As new challenges arise for the Walkers, they learn to rely on one another more than ever before. Kitty’s personal revelation devastates the entire family, Nora begins a relationship with a younger man and Justin and Rebecca’s Malibu wedding doesn’t quite go as planned. Relive all the drama and every touching moment of Season Four, complete with never-before-seen bonus features available only on DVD!The Walker family of Brothers and Sisters grows more complex with every season--a delight for viewers who get plenty of comedy along with a crisply written dramatic series. The ensemble cast is always top-notch across the board, but this season belongs to Calista Flockhart as Kitty, who faces serious health and personal challenges with believable vulnerability alternating with determination. This season also sees a delicious--and younger--love! interest for Nora (Sally Field), and a new French beau for Sarah (Rachel Griffiths). As the Walker family tries to rally around Kitty and her shocking news, however, their messy lives tend to spiral out of tidy plot lines. This season Kitty's marriage to Robert (the always excellent Rob Lowe, who lends the cast some needed gravitas) faces speed bumps bigger than usual, while her brother Kevin (Matthew Rhys) and his partner Scotty (Luke Macfarlane) decide to expand their family--and to start a new business. Another Walker offspring is discovered, and he brings with him an element of menace.

Viewers adore Brothers and Sisters precisely because there's so much going on with the characters they have grown to love, but this season has perhaps a few too many subplots to follow and get invested in. (With the steely Patricia Wettig, playing Holly, at the helm of Ojai Foods, is there really any doubt the company will survive its economic challenges?) But the deeply invol! ving story of Kitty and her health issues--and Flockhart's ins! pired pe rformance--is, as it should be, the silk thread that holds together season 4 of Brothers and Sisters--and the Walker family.

The boxed set, like those of previous seasons, is rich in material for fans. There are more than a dozen deleted scenes, all well acted and nuanced, and the bloopers are abundant and hilarious. There is also a feature about the cast members and how bonded they are off-camera--to the point where they play softball and even do a triathlon together. And you know what they say about a family that plays together. --A.T. Hurley

Hotel for Dogs (Full Screen Edition)

  • Features include: -MPAA Rating: PG -Format: DVD-Runtime: 100 minutes
Hotel For Dogs is a funny, heartwarming and inspiring animal adventure that shows how far love and imagination can take you. When 16-year old, Andi (Roberts), and her younger brother Bruce (Austin) find themselves in a foster home with a strict “no pets” policy, they must use their quick wit to find a new home for their dog, Friday. When they stumble into an abandoned hotel, they realize they can transform it into the perfect place for Friday- as well as all the strays in the city. What began as a crusade to save one dog becomes a high stakes adventure as everyone around them starts to wonder- who let the dogs in?Everyone deserves a loving family, but foster kids Andi (Emma Roberts) and Bruce (Jake T. Austin) have been placed with a flaky couple who care more for their aspiring rock careers than their foster children. Ev! en though Andi and Bruce's mischievous tendencies repeatedly get them into trouble, the siblings are essentially good kids who care deeply for one another and their secretly adopted dog Friday. After a close call with the local pound, the kids end up searching for Friday in an abandoned old hotel where they find several stray dogs seeking shelter. The kids' compassion for the homeless dogs compels them to begin caring for the strays and they soon join forces with three other local kids to take in strays from across the city. Bruce is a clever inventor whose innovative gadgets ensure top-notch care and constant entertainment for all the dogs (as well as a multitude of laughs from the audience). Unfortunately, Bruce's and Andi's devotion to the dogs eventually causes them to pass up what may be their last chance for a better foster home. When the police storm the hotel and take all the dogs to the pound, the kids make a daring attempt to rescue the dogs that will likely land ! them in separate group homes. Can social worker Bernie (Don Ch! eadle) s omehow convince the authorities, and perhaps a loving family, that the children were just doing what was right? Hotel for Dogs is a funny family film based on Lois Duncan's book of the same name and is appropriate for most ages 5 and older in spite of its PG rating for mild thematic elements, language, and some crude humor. --Tami Horiuchi




Stills from Hotel For Dogs (Click for larger image)


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HOTEL FOR DOGS - DVD MovieEveryone deserves a loving family, but foster kids Andi (Emma Roberts) and Bruce (Jake T. Austin) have been placed with a flaky couple who care more for their aspiring rock careers than their foster children. Even though Andi and Bruce's mischievous tendencies repeatedly get them into trouble, the siblings are essentially good kids who care deeply for one another and their secretly adopted dog Friday. After a close call with the local pound, the kids end up searching for Friday in an abandoned old hotel where they find several stray dogs seeking shelter. The kids' compassion for the homeless dogs compels them to begin caring for the strays and they soon join forces with three other local kids to take in strays from across the city. Bruce is a clever inventor whose innovative gadgets ensure top-notch care and constant entertainment for all the dogs (as well as a multitude of laughs from the audience). Unfortunately, Bruce's and Andi's devo! tion to the dogs eventually causes them to pass up what may be their last chance for a better foster home. When the police storm the hotel and take all the dogs to the pound, the kids make a daring attempt to rescue the dogs that will likely land them in separate group homes. Can social worker Bernie (Don Cheadle) somehow convince the authorities, and perhaps a loving family, that the children were just doing what was right? Hotel for Dogs is a funny family film based on Lois Duncan's book of the same name and is appropriate for most ages 5 and older in spite of its PG rating for mild thematic elements, language, and some crude humor. --Tami Horiuchi




Stills from Hotel For Dogs (Click for larger image)

















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El Cantante

  • In their dazzling first on-screen pairing, Jennifer Lopez and Marc Anthony bring to life this riveting tale of romance and redemption based on the true story of salsa legend Hector Lavoe and the woman who kept him from falling over the edge.It's the 1970s and the salsa revolution is in full swing. Hector Lavoe (Anthony), is the singer, El Cantante whose voice can move millions and whose passion mo
In their dazzling first on-screen pairing, Jennifer Lopez and Marc Anthony bring to life this riveting tale of romance and redemption based on the true story of salsa legend Hector Lavoe and the woman who kept him from falling over the edge. It's the 1970s and the salsa revolution is in full swing. Hector Lavoe (Anthony), is the singer, El Cantante whose voice can move millions and whose passion moves one woman, his wife Puchi (Lopez). But when the spotlight brings Lavoe's personal demons and addict! ions to light, it will take the incredible devotion of his wife to put him on the path to becoming the legend he was born to be.

DVD Features:
Audio Commentary
Deleted Scenes
Featurette

Though they don't look much alike, slight actor-singer Marc Anthony was born to play robust salsa sensation Héctor Lavoe. In addition to similar ancestry and vocal skills, Anthony has been building a respectable cinematic resume with roles in Big Night and Martin Scorsese's Bringing out the Dead. The title of El Cantante comes from a number Rubén Blades wrote for The Singer. Lavoe would make it his signature song. In the film, Anthony's wife, producer Jennifer Lopez, plays Puchi, the Nuyorican beauty who won Lavoe's heart. She narrates their story from the perspective of 2002 (the real-life Puchi passed away shortly afterwards). Leon Ichaso (Piñero) contrasts Lavoe's rise from Puerto Rican street singer to Ne! w York superstar with his fall from innocent immigrant to hero! in-addic ted ladies man. By the mid-1980s, Lavoe's popularity hit its peak, and Ichaso spends the rest of the time ticking off the tragedies of his final years: the break with trombonist Willie Colón (John Ortiz), stay in a mental ward, etc. It's a dynamic portrait, and Anthony and Lopez work well together, but despite the urban setting and Latin-flavored soundtrack, El Cantante follows virtually the same trajectory as Ray and Walk the Line (Ichaso has also directed biopics of Jimi Hendrix and Muhammad Ali). His movie looks and sounds authentic, but Lavoe's story might've been better served as nonfiction. There's a sense that there was more to the man than what appears on screen. --Kathleen C. Fennessy

Down to Earth

  • Condition: New
  • Format: DVD
  • Anamorphic; Closed-captioned; Color; DVD; Widescreen; NTSC
When an African American stand up comedian prematurely dies, the angels in heaven supply him with the body of an eldery white tycoon, so that he can return to earth.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 2-JAN-2007
Media Type: DVDA tepid reworking of Warren Beatty's Heaven Can Wait (itself a remake of 1941's Here Comes Mr. Jordan), Down to Earth tries to mold comedian Chris Rock into an amiable romantic lead, but it softens the scathingly observant humor that made Rock a standup successor to Richard Pryor. Rock's aggressive style is bracingly expressed in a few good scenes, but through most of this movie--from the directors of American Pie--he struggles with dialogue that would barely pass muster in a low-rate! d sitcom. Edgy potential loses out to crowd-pleasing with the familiar body-switch formula: by way of premature death and bad timing on the part of heaven's Vegas-styled gatekeepers (played by Eugene Levy and Chazz Palminteri), Rock--as struggling comedian Lance Barton--is reincarnated as a 55-year-old white billionaire with a nasty reputation.

Adjusting (too easily) to his racial transition, Lance charms a hospital administrator (Regina King) who's amazed to see the selfish white billionaire turning into romantic philanthropist. This allows plenty of black/white-contrast jokes (did you ever see a fat, middle-aged white guy who's into hip-hop?), and Rock, who cowrote the screenplay, still manages to work some pointed politics into the movie's good-natured tone. It's guaranteed that some will find Down to Earth quite entertaining, but others will wonder how potent this comedy could have been if Rock had been more willing to confront the harsher truths that lurk b! eneath the humor. --Jeff Shannon

Frontrunners

  • FRONTRUNNERS is a smart and funny political documentary that follows the student council presidential campaign at one of the country s most prestigious public high schools: Stuyvesant High School in New York City. Follow 4 charming and idiosyncratic candidates as they navigate an electoral process that is said to be one of the most competitive at the high school level. These teenaged candidates fa
FRONTRUNNERS - DVD MovieCaroline Suh’s directorial debut, Frontrunners, is a charming, candid, and almost scary glimpse into the advanced levels of student sophistication in America’s top high schools. In this case, Suh, who has copious experience as a documentary producer, put her documentary research skills to use at Stuyvesant High School in Manhattan, an elite school in which students who aren’t admitted to Top Ten colleges are considered total rejects by their peers. Frontrunner! s charts the arc of the student government elections, starring four kids who want the presidency. Mike Zaytsev, Hannah Freiman, Alex Leonard, and George Zisiadis each select running mates and crave victory with varying degrees of conviction. The documentary is comprised of interview footage with the candidates at school, at home, and sometimes features the parents of the chosen few, expressing concerns about the pressures that are placed upon their children to succeed. The levels of competition are astounding; one scene capturing their "televised" debates shows how this school simulates real-life for hardcore training. Though the interviews are often hilarious, what really carries the film is ample footage of the candidates planning and enacting strategies. George, who seems to have been born to become president, cooks up political platforms as naturally as a thuggish student may shoot spitwads onto the classroom’s ceiling. Hannah, whose office bulletin board commemor! ates her trips to film festivals and theater events, is extrem! ely well -poised in front of a camera, resulting from what some may attribute to having been privy from her early years to a cultured lifestyle. So, as the presidential race unfurls, one sees not only a cutthroat teenage contest but also the ways in which students are shaped by their home lives. Frontrunners should provide proof to parents and public schools alike that youth will indeed succeed if one sets expectations and opportunity high. Bravo to Oscilloscope Laboratories (owned by Beastie Boy Adam Yauch) for releasing this humorously inspiring film. --Trinie Dalton

Tuesday, November 22, 2011

Charlie St. Cloud: A Novel

  • ISBN13: 9780553386936
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother and a stanford scholarship. His bright future is cut short when tragedy strikes and takes his dreams with it. Studio: Uni Dist Corp. (mca) Release Date: 11/09/2010 Starring: Zac Efron Ray Liotta Run time: 100 minutes Rating: Pg13 Director: Burr SteersTeen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows! signs of being a terrific young actor, with nuanced skills that have perhaps been overlooked until now, because of his appealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire ! cast is wonderful, and they put their hearts into the sad, yet! ultimat ely uplifting story. Young Charlie Tahan is winsome as Charlie's younger brother, Sam. Kim Basinger, too long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages ! will enjoy watching the young actor begin the process of growing up--just a bit--onscreen. --A.T. HurleyZac Efron stars as Charlie St. Cloud, a small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother, and a Stanford scholarship. His bright future is cut short when tragedy strikes, taking his dreams with it. Now Charlie is torn between honoring a promise he made years ago and pursuing his newfound love with a former high-school classmate. Based on the acclaimed bestseller, comes a story of hope, second chances and the transformative power of love, also starring Ray Liotta and Academy Award® winner Kim Basinger.Teen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting t! o his dedicated young fans. And Efron shows signs of being a t! errific young actor, with nuanced skills that have perhaps been overlooked until now, because of his appealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they ! put their hearts into the sad, yet ultimately uplifting story. Young Charlie Tahan is winsome as Charlie's younger brother, Sam. Kim Basinger, too long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the st! ory and the action. Efron fans of all ages will enjoy watching! the you ng actor begin the process of growing up--just a bit--onscreen. --A.T. HurleyIn a snug New England fishing village, Charlie St. Cloud tends the lawns and monuments of an ancient cemetery where his younger brother, Sam, is buried. After surviving the car accident that claimed his brother's life, Charlie is graced with an extraordinary gift: He can see, talk to, and even play catch with Sam's spirit. Into this magical world comes Tess Carroll, a captivating woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that propels her into Charlie's life. Their beautiful and uncommon connection leads to a race against time and a choice between death and life, between the past and the future, between holding on and letting go â€" and the discovery that miracles can happen if we simply open our hearts.Questions for Ben Sherwood About Charlie St. Cloud

Q: Did you always imagine your book becoming a movie?
A: In a word...no. I quit a great job at NBC News in New York to write this book. It was a risky career move. I wish I could say the road was easy, but it wasn’t. There were major creative challenges and serious professional setbacks. Indeed, the route from blank page to the finished book might well be described as a near-death publishing experience. Perhaps that’s why I never really imagined this book becoming a movie. Indeed, the very idea of a film adaptation seemed farfetched. As one of my close friends always said: "I’ll believe Charlie St. Cloud is a movie when I’m sitting in the theater and eating popcorn."

Q: How involved were you with the movie and did you write the screenplay?
A: The producers and studio were gener! ous to include me at many stages of the process but I wasn’t! involve d with the movie or screenplay. I was fortunate to visit the production twice, once on location in a cemetery and another time on a soundstage in Vancouver. Each time, I relished how filmmakers turned some of the book’s tiniest details into movie reality. For instance, Major League Baseball sent three small Red Sox mitts for Sam to use when he played catch with Charlie. I watched an assistant prop master carry a brand-new red mitt around all day, rubbing it constantly to give it a well-worn appearance.

On another occasion, the director showed me the closing shot of the film. Today, words still fail to describe the exhilarating experience of seeing Charlie and Tess literally sailing into the sunset. Seven years earlier, in the quiet of my little writing room, I had imagined these two young people on a boat aimed at the open ocean. Suddenly, they were on the screen, leaning into each other with wind tousling their hair and ! sails, steering a Gryphon Solo, one of the world’s fastest fifty-foot sailboats, filmed by a camera mounted on a helicopter hovering above.

Q: How does it feel to see your book turned into a movie?
A: Quite simply, I’m filled with gratitude. To create the movie version of Charlie St. Cloud, it took 28 actors, 34 stunt people, and some 250 crew. When I visited the set in Vancouver, I tried my best to thank every single one, including the wrangler responsible for a noisy flock of geese, the messy bane of Charlie’s existence.

When I called my wife in Los Angeles, she asked, "How does it feel?" I thought for a moment. Then I answered: "I want to hug every person I meet."

Q: Did you imagine Zac Efron as Charlie St. Cloud?
A: In candor, I never imagined Zac Efron in the role of Charlie. Wrecked by loss and grief, Charlie was a character who had wasted many years of his ! precious life. I always imagined Charlie as much older and mu! ch sadde r. Thank goodness I’m not a movie producer.

I salute the studio and producers for realizing that Efron was a perfect choice. Young, dynamic, and charismatic, he embodies the promise of Charlie St. Cloud without the burden and loss. With Efron’s vibrant presence and performance, a sometimes weighty story feels more hopeful and uplifting. As I told Efron when we met in the cemetery in Vancouver, I’m delighted and very thankful that he took the part and filled it with vitality.

Q: How do you feel about the movie being made in Vancouver, Canada instead of Marblehead, Massachussetts, where the novel takes place?
A: I love Marblehead and the people of the town. While researching the book, I traveled to Marblehead several times to walk among the tombstones in Waterside Cemetery, eat breakfast with fishermen at the Driftwood before dawn, drink beers with 'Headers at Maddie's, and compete in my first ! and only sailboat race.

Vancouver is a country away from the wonderful town where I situated the story. But a movie adaptation isn't supposed to be a literal translation of a book. It's an interpretation. While I sincerely hoped that the film would be made in Massachusetts--and while the filmmakers tried their best too--I understood the financial decision to pick Canada, where production costs are significantly lower.

Given this choice, the filmmakers did a great job transplanting Charlie and Sam's story to the Pacific Northwest, which looks absolutely spectacular on film.

Q: Your writing seems to focus on questions of life and death. Why?
A: Maybe it's my age or life experience but I've spent a lot of time thinking about how we overcome grief and loss and make the most of our time on earth. These are subjects that have come to occupy my recent work. Over the last few years, I wrote a nonficti! on book called The Survivors Club, exploring the ! secrets and science of the world’s most effective survivors and thrivers. Interviewing survivors around the world, I discovered even more proof that love is a powerful and universal survival tool. In my own life, falling in love with my future wife, Karen, helped unlock the stranglehold of my father’s sudden and untimely death 17 years ago. (That’s why I dedicated the book to both of them.) In Charlie's case, discovering Tess helped him break free of the cemetery and the suffocating grip of grief.

Q: You have two young sons. What do you hope they take away from this book some day?
A: When I was leaving the movie set in Vancouver to fly home to Los Angeles, one of the producers generously asked if I wanted a souvenir from the production. I asked for one of Sam’s red mitts from Major League Baseball. Our two young boys can play catch with it. Then some day when they outgrow it, the glove can sit in my office, a rem! inder of the power of brotherly love and what happens when you take risks, seize life, and set your imagination free.