Fakers

• FAKERS is an off-beat, funny crime caper set in the London art world. Nick Blake (Matthew Rhys Decameron, Elizabeth) owes 50,000 and has no way off paying off local crime lord Foster Wright (Art Malik - True Lies, Bond: Living Daylights). That is until he stumbles across a lost sketch by legendary Italian artist Antonio Fraccini. Problem is it's only worth 15,000!! The plan is hatched; to forg

Welcome to London! Pow! This fun, jaunty crime caper set in the London art world is slick, fun with great acting. Nick Blake (Matthew Rhys ABC s Brothers & Sisters) owes 100,000 to local crime lord Foster Wright (Art Malik - True Lies, Bond: Living Daylights). That is until he stumbles across a lost sketch by legendary Italian artist Antonio Fraccini. Problem is it's only worth £25,000!! A plan is hatched; to forge the drawing and sell it to five London galleries within an hour before anyone cottons ! onto the fact there's a scam going down. Co- stars Kate Ashfield (Shaun of the Dead).

Heavyweights

• From the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to

When a harried businessman and a hapless crook collide on the biggest day of both their careers the only road seems to lead straight to comic disaster. A workaholic advertising executive (David Paymer) is stuck driving the neighborhood carpool on the day of a make-or-break presentation. A down-on-his luck carnival owner (Tom Arnold) fleeing a bungled robbery takes the exec and his vanful of kids hostage and begins a comic day-long chase through the city streets where the two men learn some unexpected lessons! and forge an unlikely friendship.Running Time: 93 min.Format: DVD MOVIE Genre: COMEDY UPC: 085393183226Studio: Paramount Home Video Release Date: 11/20/2007 Run time: 109 minutes Rating: PgMeet the Stupids. Stanley (Tom Arnold) and Joan (Jessica Lundy) and their kids, Buster and Petunia. They're a nice, typical, suburban American family. Except for one thing. None of them has the sense God gave a lemon. Year: 1996 Director: John Landis Starring: Tom Arnold, Jessica Lundy, Bug Hall

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 100 minutes

Hotel Rwanda [Blu-ray]

• 1080p Hi-Def Widescreen Transfer
• First time on Blu-ray
• Released by MGM/Fox Home Entertainment
• Includes Commentary Tracks, Documnetaries and more!

Once you find out what happened in Rwanda, you'll never forget. OscarÂ(r) nominee* Don Cheadle (Traffic) gives "the performance of his career in this extraordinarily powerful" (The Hollywood Reporter) and moving true story of one man's brave stance against savagery during the 1994 Rwandan conflict. Sophie Okonedo (Dirty Pretty Things) co-stars as the loving wife who challenges a good man to become a great man. As his country descends into madness, five-star-hotel manager Paul Rusesabagina (Cheadle) sets out to save his family. But when he sees that theworld will not intervene in the massacre of minority Tutsis, he finds the courage to open his hotelto more than 1,200 refugees. Now, with a rabid militia at the gates, he m! ust use his well-honed grace, flattery and cunning to protect his guests from certain death. *2004: Actor, Hotel RwandaSolidly built around a subtle yet commanding performance by Don Cheadle, Hotel Rwanda emerged as one of the most highly-praised dramas of 2004. In a role that demands his quietly riveting presence in nearly every scene, Cheadle plays real-life hero Paul Rusesabagina, a hotel manager in the Rwandan capital of Kigali who in 1994 saved 1,200 Rwandan "guests" from certain death during the genocidal clash between tribal Hutus, who slaughtered a million victims, and the horrified Tutsis, who found safe haven or died. Giving his best performance since his breakthrough role in Devil in a Blue Dress, Cheadle plays Rusesabagina as he really was during the ensuing chaos: "an expert in situational ethics" (as described by critic Roger Ebert), doing what he morally had to do, at great risk and potential sacrifice, with an understanding that wartime! negotiations are largely a game of subterfuge, cooperation, a! nd cleve r bribery. Aided by a United Nations official (Nick Nolte), he worked a saintly miracle, and director Terry George (Some Mother's Son) brings formidable social conscience to bear on a true story you won't soon forget. --Jeff ShannonSolidly built around a subtle yet commanding performance by Don Cheadle, Hotel Rwanda emerged as one of the most highly-praised dramas of 2004. In a role that demands his quietly riveting presence in nearly every scene, Cheadle plays real-life hero Paul Rusesabagina, a hotel manager in the Rwandan capital of Kigali who in 1994 saved 1,200 Rwandan "guests" from certain death during the genocidal clash between tribal Hutus, who slaughtered a million victims, and the horrified Tutsis, who found safe haven or died. Giving his best performance since his breakthrough role in Devil in a Blue Dress, Cheadle plays Rusesabagina as he really was during the ensuing chaos: "an expert in situational ethics" (as described by critic Roger Ebert), do! ing what he morally had to do, at great risk and potential sacrifice, with an understanding that wartime negotiations are largely a game of subterfuge, cooperation, and clever bribery. Aided by a United Nations official (Nick Nolte), he worked a saintly miracle, and director Terry George (Some Mother's Son) brings formidable social conscience to bear on a true story you won't soon forget. --Jeff Shannon

The King of Kong: A Fistful of Quarters

• In this hilarious, critically acclaimed arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't re

AMERICAN MOVIE - DVD MovieStruggling filmmaker Mark Borchardt is the subject of American Movie, and he may also be the most determined man you'll ever meet. The straggly haired, fast-talking, Menomonee Falls, Wisconsin, native lists his greatest influences as Dawn of the Dead, Night of the Living Dead, and The Texas Chainsaw Massacre. He began making horror movies as a gangly adolescent, and is now set on finishing Coven (which he pronounces like "woven"), the "35-! minute direct market thriller" he has worked on for two years. In the process, he steadfastly battles immense debt, the threat of losing his kids, and birds chirping gleefully through scenes set in the dead of winter. His mother would rather do her shopping than be an extra, his brother contends he's best suited for factory work, and his father just wants him to "watch the language."

Standing by him through it all is Mark's childhood buddy, Mike Schank, who is the strongest weapon against drug use a task force could ever hope for, and Uncle Bill, begrudging financier of Coven, who appears to be wasting away before our very eyes. In less perceptive hands these two could easily become caricatures--the burnt-out stoner and the crotchety old coot--but through director Chris Smith's lens we see why Mark loves them, why they love Mark, and why each of these stories is uniquely compelling.

Winner of the Grand Jury Prize at the 1999 Sundance Film Festival, the film h! as been compared to Spinal Tap and Waiting for Guffm! an-- two unquestionably hilarious mock-documentaries--and, indeed, American Movie has plenty of laugh-out-loud moments. But in the spoofs, we feel encouraged to point and giggle at the poor slobs trying to get a piece of the action. Smith, however, offers us a funny and overwhelmingly affectionate portrait; you may sit down expecting to laugh at Mark's pie-in-the-sky hopes, but you soon find yourself bursting with admiration. "The American dream stays with me each and every day," Mark says, and by the end, we want nothing more than for it to come true. (The DVD version includes the complete short film "Coven.") --Brangien Davis This limited edition, special collectors' DVD set celebrates 25 years of the Sundance Institute. It contains ten ground-breaking films that embody the sprit of independence, creative risk-taking, and diversity that define the Sundance Film Festival. Bonus materials include a booklet and an 11th disc with behind-the-scenes footage from the Sun! dance Institute Labs and never-before-seen interviews with filmmakers and founder Robert Redford.Struggling filmmaker Mark Borchardt is the subject of American Movie, and he may also be the most determined man you'll ever meet. The straggly haired, fast-talking, Menomonee Falls, Wisconsin, native lists his greatest influences as Dawn of the Dead, Night of the Living Dead, and The Texas Chainsaw Massacre. He began making horror movies as a gangly adolescent, and is now set on finishing Coven (which he pronounces like "woven"), the "35-minute direct market thriller" he has worked on for two years. In the process, he steadfastly battles immense debt, the threat of losing his kids, and birds chirping gleefully through scenes set in the dead of winter. His mother would rather do her shopping than be an extra, his brother contends he's best suited for factory work, and his father just wants him to "watch the language."

Standing by him throug! h it all is Mark's childhood buddy, Mike Schank, who is the st! rongest weapon against drug use a task force could ever hope for, and Uncle Bill, begrudging financier of Coven, who appears to be wasting away before our very eyes. In less perceptive hands these two could easily become caricatures--the burnt-out stoner and the crotchety old coot--but through director Chris Smith's lens we see why Mark loves them, why they love Mark, and why each of these stories is uniquely compelling.

Winner of the Grand Jury Prize at the 1999 Sundance Film Festival, the film has been compared to Spinal Tap and Waiting for Guffman--two unquestionably hilarious mock-documentaries--and, indeed, American Movie has plenty of laugh-out-loud moments. But in the spoofs, we feel encouraged to point and giggle at the poor slobs trying to get a piece of the action. Smith, however, offers us a funny and overwhelmingly affectionate portrait; you may sit down expecting to laugh at Mark's pie-in-the-sky hopes, but you soon find yourself bursting! with admiration. "The American dream stays with me each and every day," Mark says, and by the end, we want nothing more than for it to come true. (The DVD version includes the complete short film "Coven.") --Brangien DavisKING OF KONG:FISTFUL OF QUARTERS - DVD Movie

The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree

Sergio Leone “spaghetti westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, the Bad and the Ugly, Leone’s vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored, presented in high definition with their best-ever audio, and including audio commentaries, featurettes and more, these films are much more than the definitive Leone collection...they are the most ambitious and influential westerns ever made.

A Fistfull Of Dollars
Clint Eastwood’s legendary “M! an With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!

The Good, The Bad And The Ugly
The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" and stay alive â€" in a! country ravaged by war.Review for A Fistful of Do! llars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himse! lf. --Edward Buscombe

Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ruthless Civil War-era! quest for $200,000 worth of buried Confederate gold. Virtuall! y all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

The Go-Getter

• GO GETTER, THE (DVD MOVIE)

ALL THE REAL GIRLS - DVD MovieYou'd think moviemakers would have run out of new ways of capturing the trials and joys of young love--but director David Gordon Green finds a fresh take in All the Real Girls, a bittersweet small-town romance. By leaving out the usual humdrum exposition of a courtship story, Green cuts right to the little moments that form the high and low points of a budding relationship. It's an impressionistic style aided by the wonderfully spontaneous and unpredictable acting of Paul Schneider (who also co-scripted) and Zooey Deschanel--who look like they're improvising, even though they're not. As in Green's excellent debut feature George Washington, a small town serves as an atmospheric backdrop--this place looks a couple of decades shy of the 21st century. The mosaic approach makes the film play like a collection of memories, someo! ne's first love recalled with fondness and just a bit of regret. --Robert HortonSometimes you find love where you'd least expect it. Just ask Lars (Academy Award-Nominee* Ryan Gosling), a sweet but quirky guy who thinks he's found the girl of his dreams in a life-sized doll named Bianca. Lars is completely content with his artificial girlfriend, but when he develops feelings for Margo, an attractive co-worker, Lars finds himself lost in a hilariously unique love triangle, hoping to somehow discover the real meaning of true love. Offbeat and endearing, this romantic comedy takes a fresh look at dating and relationships and dares to ask the question: What's so wrong with being happy?To some, Lars and the Real Girl will play as comedy; to others, tragedy. Though Craig Gillespie (Mr. Woodcock) allows Lars Lindstrom (a mustachioed Ryan Gosling, miles away from Half Nelson) a happy ending, the road is far from smooth. This rumpled Midwesterner couldn't be mor! e miserable. His brother, Gus (Paul Schneider, All the Real! Girls), and sister-in-law, Karin (Emily Mortimer, Lovely and Amazing), fall over themselves to cheer him up, but Lars cannot be moved; he’s been like that since childhood. Then a porn-addicted co-worker hips him to the lifelike Real Doll. The next thing everyone knows, Lars has a new girlfriend named Bianca. She's from Brazil, she's shy, and she uses a wheelchair. She's also made of silicon. (Because Lars is a devout Christian, hanky-panky is out of the question.) Since he's finally emerging from his shell, his doctor, Dagmar (Patricia Clarkson), advises Gus and Karin to play along with the "delusion." Soon the whole town, including Margo (Kelli Garner), who harbors a not-so-secret crush on her officemate, gets in on the action, forcing Lars to rejoin the human race or crawl deeper into psychosis. Written by Six Feet Under's Nancy Oliver, Lars and the Real Girl is built around such a preposterous premise, it's hard to know whether to laugh or cry. Fortuna! tely, the actors play it straight. Gosling does his best to make Lars sympathetic, but Schneider and Mortimer, fully convincing in their concern, are the true heart and soul of this odd little film. --Kathleen C. Fennessy

Beyond Lars and the Real Girl

More from Ryan Gosling

Lars and the Real Girl Soundtrack

More Comedies from MGM

Stills from Lars and the Real Girl

When a teenager s mother dies, his road trip in a stolen car to reunite with his long lost brother unexpectedly becomes a fun roller-coaster of self-discovery.

Amreeka

• AMREEKA (DVD MOVIE)

AMREEKA - DVD Movie

The Pioneer Woman Cooks: Recipes from an Accidental Country Girl

• ree drummond
• pioneer woman
• cook book
• 0061658197

Firefighter Patrick Sullivan (Jeffrey Dean Morgan) finds his life turned upside-down when his fiancée suddenly calls off their pending nuptials per the recommendation of radio love guru Dr. Emma Lloyd (Uma Thurman). Determined to get back at this "love doctor," Sullivan forges a fake marriage license, "accidentally" marrying him to Emma,who's already engaged to Richard (Colin Firth). But as Patrick's charms begin to wear Emma down, she must decide which of these bachelors is her "Mr. Right." Also starring Sam Shepard, Justina Machado and Isabella Rossellini in this romantic comedy that proves even the experts need to learn a few love lessons now and then.Doctor, heal thyself! That's the wry message underscoring the charming romantic comedy The Accidental Husband, which features Uma Thurman as Emma, a radio "love d! octor" who can't quite seem to manage her own love life off the air. The cast is splendid, led by Thurman, who has rarely gotten to show her comic chops, and who really is very funny and has a gift for physical comedy as well. The two bachelors whose lives are accidentally (on purpose?) entangled with hers are played by two dreamboats, Jeffrey Dean Morgan (rugged firefighter Patrick) and Colin Firth (her fiancé, Richard). The chemistry between Emma and both suitors is crackling and captured well on film by director Griffin Dunne. Thurman, Morgan, and Firth are joined by a supporting cast every bit as spot-on as they are: Sam Shepard, Brooke Adams, Isabella Rossellini, Sarita Choudhury, and Keir Dullea, each of whom brings his or her own quirks and charms. The Accidental Husband is very much in the mode of Four Weddings and a Funeral and the Bridget Jones films--which is to say, make a date with it for your next date night. --A.T. HurleyThis digi! tal document is an article from The Register-Guard (Eugene, OR! ), publi shed by The Register Guard on October 1, 2010. The length of the article is 476 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Wife settles with insurer in husband's accidental death.(Courts)
Author: Unavailable
Publication: The Register-Guard (Eugene, OR) (Newspaper)
Date: October 1, 2010
Publisher: The Register Guard
Page: B13

Distributed by Gale, a part of Cengage LearningSusan Anderson walks you through the principal reasons why your husband or boyfriend probably has an older woman on the side. Think not? Think again. There are sound reasons why an older woman is sometimes preferable to a younger one. When you finish reading this book, you wil! l wonder how you could have been so naive.Susan Anderson walks you through the principal reasons why your husband or boyfriend probably has an older woman on the side. Think not? Think again. There are sound reasons why an older woman is sometimes preferable to a younger one. When you finish reading this book, you will wonder how you could have been so naive.

My name is Ree. Some folks know me as "The Pioneer Woman."

After years of living in Los Angeles, I made a pit stop in my hometown in Oklahoma on the way to a new, exciting life in Chicago. It was during my stay at home that I met Marlboro Man, a mysterious cowboy with steely blue eyes and a muscular, work-honed body. A strict vegetarian, I fell hard and fast, and before I knew it we were married and living on his ranch in the middle of nowhere, taking care of animals, and managing a brood of four young children. I had no idea how I'd wound up there, but I knew it was exactly where I belonged.

T! he Pioneer Woman Cooks is a homespun collection of photogr! aphy, ru ral stories, and scrumptious recipes that have defined my experience in the country. I share many of the delicious cowboy-tested recipes I've learned to make during my years as an accidental ranch wifeâ€"including Rib-Eye Steak with Whiskey Cream Sauce, Lasagna, Fried Chicken, Patsy's Blackberry Cobbler, and Cinnamon Rollsâ€"not to mention several "cowgirl-friendly" dishes, such as Sherried Tomato Soup, Olive Cheese Bread, and CrÈme BrÛlÉe. I show my recipes in full color, step-by-step detail, so it's as easy as pie to follow along.

You'll also find colorful images of rural life: cows, horses, country kids, and plenty of chaps-wearing cowboys.

I hope you get a kick out of this book of mine. I hope it makes you smile. I hope the recipes bring you recognition, accolades, and marriage proposals. And I hope it encourages even the most harried urban cook to slow down, relish the joys of family, nature, and great food, and enjoy life.

Double Feature (Analyze This / Analyze That)

• Mob boss Paul Vitti's going a little wacky. His shrink's afraid of getting whacked. Think you got troubles? Robert De Niro plays the troubled crime-family racketeer and Billy Crystal is Ben Sobel, the psychiatrist with just a few days to turn Vitti into a happy, well-adjusted gangster in Analyze This [Side A], the drop-dead funny comedy from Caddyshack director Harold Ramis. Stars and director ret

Mob boss Paul Vitti's going a little wacky. His shrink's afraid of getting whacked. Think you got troubles? Robert De Niro plays the troubled crime-family racketeer and Billy Crystal is Ben Sobel, the psychiatrist with just a few days to turn Vitti into a happy, well-adjusted gangster in Analyze This [Side A], the drop-dead funny comedy from Caddyshack director Harold Ramis. Stars and director reteam to prove laughter is still the best therapy in Analyze That [Side B]. This time, Vitti is released f! rom Sing Sing into the custody of his therapist. Can jittery Ben help Vitti find gainful employment? Can he even believe Vitti's gone legit when guys like Lou the Wrench keep showing up? You think you got troubles?Fuhgedaboudit!