Saturday, December 31, 2011

Frankie & Johnny Are Married

Friday, December 30, 2011

BREAKING DAWN TWILIGHT OFFICIAL CALENDAR 2012 + 3 FRIDGE MAGNETS SET

  • BREAKING DAWN TWILIGHT OFFICIAL CALENDAR 2012 + 3 FRIDGE MAGNETS SET
  • Product Dimensions: 29.5 x 27.4 x 0.5 cm
  • 16 month calendar runs from September 2011 to December 2012
  • Cello-wrapped with cardboard stiffener
  • FREE FRIDGE MAGNETS
The #1 New York Times bestseller is available for the first time in a mass market paperback edition.

The astonishing conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions. Now that Bella has made her decision to join the dark but seductive world of immortals, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life-first discovered in Twilight, then scattered and torn in New Moon and Ec! lipse-seem ready to heal and knit together, could they be destroyed... forever?
Great love stories thrive on sacrifice. Throughout The Twilight Saga (Twilight, New Moon, and Eclipse), Stephenie Meyer has emulated great love stories--Romeo and Juliet, Wuthering Heights--with the fated, yet perpetually doomed love of Bella (the human girl) and Edward (the vampire who feeds on animals instead of humans). In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actuall! y making that sacrifice is questionable, which is a big shift ! from the earlier books. Even though you knew Bella would make it through somehow, the threats to her life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next. (Ages 12 and up) --Heidi Broadhead

Product Description

This Special Edition of the #1 New York Times bestseller includes:

  • An exclusive Breaking Dawn concert series DVD, featuring a performance by Blue October's Justin Fur! stenfeld and a conversation between Stephenie Meyer and Justin Furstenfeld.

  • A reproduction of the personal, handwritten lyrics for My Never by Justin Furstenfeld.

  • A limited-edition, full-color Bella & Edward poster (on reverse side of book jacket).

  • And more!

The astonishing, breathlessly anticipated conclusion to The Twilight Saga, Breaking Dawn, illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions.



More from Stephenie Meyer

Twilight New Moon Eclipse




A companion to the film, illustrated with full color photos.When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?

To be irrevocably in love with a vampire is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. P! ulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.

Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life-first discovered in Twilight, then scattered and torn in New Moon and Eclipse-seem ready to heal and knit together, could they be destroyed... forever?

The astonishing, breathlessly anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions! .Great love stories thrive on sacrifice. Throughout The Twilig! ht Saga (Twilight, New Moon, and Eclipse), Stephenie Meyer has emulated great love stories--Romeo and Juliet, Wuthering Heights--with the fated, yet perpetually doomed love of Bella (the human girl) and Edward (the vampire who feeds on animals instead of humans). In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actually making that sacrifice is questionable, which is a big shift from the earlier books. Even though you knew Bella would make it through somehow, the threats to her ! life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next. (Ages 12 and up) --Heidi BroadheadWhen you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?

To be irrevocably in love wi! th a vampire is both fantasy and nightmare woven into a danger! ously he ightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.

Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life-first discovered in Twilight, then scattered and torn in New Moon and Eclipse-seem ready to heal and knit together, could they be destroyed... forever?

The astonishing, breathlessly anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic! epic that has entranced millions.Author of the #1 bestselling Twilight, New Moon, and EclipseSummit Entertainment, Chop Shop Records and Atlantic Records presents The Twilight Saga: Breaking Dawn - Part 1 Original Motion Picture Soundtrack, the musical companion to the highly anticipated fourth installment in Summit's worldwide blockbuster film franchise. The soundtrack is highlighted by the new single, "It Will Rain," by Grammy Award-winning, multi-platinum singer/songwriter/producer Bruno Mars.

In addition, The Twilight Saga: Breaking Dawn - Part 1 Original Motion Picture Soundtrack features new tracks from an extraordinary array of artists, including Christina Perri, The Joy Formidable, The Belle Brigade, Theophilus London, and Mia Maestro (who co-stars in The Twilight Saga: Breaking Dawn - Part 1 as Carmen Denali of the Denali Coven). Iron & Wine, who were featured on Twilight - Original Motion Picture Soundtrack return with a newly r! ecorded version of their song "Flightless Bird, American Mouth! ." Chop Shop Music Supervision owner Alexandra Patsavas (Grey's Anatomy, Gossip Girl) returns as Producer/Music Supervisor on The Twilight Saga: Breaking Dawn - Part 1 Original Motion Picture Soundtrack having worked closely with The Twilight Saga: Breaking Dawn - Part 1 director Bill Condon in compiling the tracklisting. Paul Katz of Eye2Ear Music serves as both the producer of the album as well as Summit's point person on film-related music and soundtracks.About the book:

“The Day I Finger F***** Robert Pattinson” is a modern tale about…

LOVE
HATE
CRIME
SEX
FREEDOM
FANDOM
FORKS
MAGIC
EVIL
GOOD
TV
COFFEE
BLACKMAIL
And a loser named Jay!

His plan: To fight for justice!
His enemy: Mightier than he expected!
The only way out: To do a runner!

Follow Jay on his exciting adventure and be prepared for the truth: It will change your life!

Wit! h appearances by some famous dudes.



About the author:

Jochen Rathmann is a fan of traditional bloody vampire action, bloody werewolf action, bloody zombie action and bloody steaks.
After his two publications in German, “The Day I Finger F***** Robert Pattinson” is the first piece of fiction he wrote in English.

He currently lives in Germany.More informations



More informations:
http://atjochenrathmann.blogspot.com
http://www.twitter.com/jochenrathmann
http://www.facebook.com/atjochenrathmannAbout the book:

“The Day I Finger F***** Robert Pattinson” is a modern tale about…

LOVE
HATE
CRIME
SEX
FREEDOM
FANDOM
FORKS
MAGIC
EVIL
GOOD
TV
COFFEE
BLACKMAIL
And a loser named Jay!

His plan: To fight for justice!
His enemy: Mightier than he expected!
The only way out: To do a runner!

Follow Jay on his exciting adventur! e and be prepared for the truth: It will change your life!
!
With appearances by some famous dudes.



About the author:

Jochen Rathmann is a fan of traditional bloody vampire action, bloody werewolf action, bloody zombie action and bloody steaks.
After his two publications in German, “The Day I Finger F***** Robert Pattinson” is the first piece of fiction he wrote in English.

He currently lives in Germany.More informations



More informations:
http://atjochenrathmann.blogspot.com
http://www.twitter.com/jochenrathmann
http://www.facebook.com/atjochenrathmannStephenie Meyer s bestselling Twilight saga took the young adult fiction world by storm. Although by no means dominant or even particularly overt, Meyer s use of religion nonetheless provides for some intriguing interpretive possibilities. Topics from young love, to abstinence, to the value of family and friends are infused in the stories. Love as an agent of change and a motivational impulse for self-sacrifice also receiv! es significant emphasis. Could Eve and Mary be a pattern for Bella? What about Edward--could he be seen as a Christ-figure? From Twilight to Breaking Dawn assists readers in thinking about the religious themes and images found throughout the Twilight saga. Each chapter discusses a single Twilight character or issue and concludes with questions for individual or group study. This book includes ideas from Judaism, Protestantism, Catholicism, and Mormonism.

From Twilight to Breaking Dawn is perfect for parents wanting to discuss these books with their children or for Twilight lovers interested in pursuing the deeper meaning that lies at the heart of these books.A companion to the film, illustrated with full color photos.A companion to the film, illustrated with full color photos.The Twilight Saga stars Kristen Stewart, Robert Pattinson and Taylor Lautner and tells the story of 17-year-old Bella Swan who moves to the small to! wn of Forks, Washington to live with her father, and becomes d! rawn to Edward Cullen, a pale, mysterious classmate who seems determined to push her away. But neither can deny the attraction that pulls them together... even when Edward confides that he and his family are vampires.

The Twilight Saga: Breaking Dawn - Part 1 The Score has been composed by Carter Burwell.BREAKING DAWN TWILIGHT OFFICIAL CALENDAR 2012 + 3 FRIDGE MAGNETS SET

Thursday, December 29, 2011

Ordinary People

  • ISBN13: 9780140065176
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Money Shot chronicles the African American porn industry's steady rise to the mainstream. Lawrence Ross, a prominent journalist and lecturer, details a year in the life of porn star Lexington Steele, whose eleven-inch penis and $75,000 per-movie-fee made him one of the most famous figures in the porn industry. Beginning and ending with Lexington Steele as the book's narrative thread, Ross conducts hundreds of interviews with college professors, industry insiders, and porn stars themselves, providing an insider's view of the often dangerous and disheartening reality of the black porn industry. His research uncovers a world fraught with sexual and racial politics. He describes an AIDS crisis that ! threatens the lives and careers of several black porn stars, the racism that implicitly prohibits interracial sex scenes in porn films, the moral implications of black female porn stars working as escorts to wealthy African Americans, and much more. Money Shot humanizes those who participate in a largely inhumane occupationâ€"it is a cautionary tale for those who thought that what they are seeing on the screen is simply sex.
The classic depiction of the harsh realities of American life, the dark side of the American Dream, and one man's doomed pursuit of love and success...

"Mr. Dreiser is not imitative and belongs to no school. He is at heart a mysticist and a fatalist, though using the realistic method. He is, on the evidence of this novel alone, a power."-The New York Times Book ReviewEveryone knows the adult film industry is a multimillion pound business. What most people don't know is how the porn industry got started - with a USD22,000 Mafia invest! ment in a film called Deep Throat - or how it mushroomed over ! the next quarter-century despite efforts by politicians, the FBI, and others to bring it down. The Other Hollywood tells that story, through hundreds of interviews by the people who lived through it. In the riveting oral-history format that made his first book, Please Kill Me, one of the most memorable accounts of 1970s underground culture, Legs McNeil now pulls back the grimy satin sheets on one of the most astounding success stories in the history of business. Careening back and forth between two groups - the actresses, directors, and others who made the films and the shady underworld figures who financed them - The Other Hollywood offers scores of never-before-told stories.From the nudie cuties of the 1950s to celebrity porn in the late 1990s, The Other Hollywood: The Uncensored Oral History of the Porn Film Industry offers an insider's view of the adult film industry's transition from a shady, backroom business to a $10-billion-per-year money machine and mainstream accept! ance. The story is told through interviews with hundreds of actors, directors, law enforcement officials, and other participants, all edited together with expert skill and pacing.

The industry exploded in the early 1970s with the success of the Mafia-backed Deep Throat, which reportedly grossed $100 million after an initial $22,000 investment. Featured at the Cannes Film Festival in 1973, the film ushered in the rise of "porno chic," making it fashionable, for a time, to take a date to a porn film. One industry insider described Deep Throat as "the Blair Witch Project of its time." Filled with sleazy intrigue, vivid details, and many heartbreaking--and even touching--stories, The Other Hollywood covers the actors, the numerous legal challenges to the industry, FBI sting operations, the Mafia connection, rampant drug use, rock stars, celebrities, the opposition by religious and political groups, the emergence of AIDS (that claimed the live! s of porn superstars such as the famously endowed John Holmes)! , and th e explosion of the video market and its overnight fortunes. Even at 600 pages, this is a quick and engrossing read that is hard to put down. --Shawn CarkonenIn this acclaimed biographical novel, Irving Stone brings to life the tender and poignant love story of Rachel and Andrew Jackson. "Beyond any doubt one of the great romances of all time." -- The Saturday Review of LiteratureDescribes a youth's breakdown and recovery and how it affects his family.

Edge of Darkness

  • The bullet that killed his daughter was meant for Boston cop Thomas Craven. That s what police brass and Craven himself think, but that s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn t a target before, he and anyone linked to his inquiry now is. Mel Gibson stars in
The bullet that killed his daughter was meant for Boston cop Thomas Craven. That’s what police brass and Craven himself think, but that’s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn’t a target before, he--and anyone linked to his inquiry--now is. Mel Gibson stars in his first screen lead in eight years, making Craven’s grief palpable and his quest for paybac! k stone-cold and relentless. Martin Campbell (Casino Royale) directs from a screenplay co-written by The Departed’s William Monahan. Gibson is back, taking us to the edge…and into the sinister darkness.The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he's grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted "Craven!" and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved y! et scarcely knew, he discovers she'd been preparing to turn wh! istleblo wer on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly--in Craven's backyard at night, say--always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven's tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula's The Parallax View, and we're nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does! decent-enough work--the occasional bursts of "shocking action" do shock even as we know they're coming--but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski's The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. --Richard T. Jameson

Fled : Widescreen Edition

  • Widescreen
Two dangerously mismatched convicts are thrown into a wild race to outwit, outrun and outgun vicious enemies on both sides of the law in this high-impact thriller bristling with high-speed adventure,mind-blowing stunts and nonstop action! After escaping from a prison chain gang, Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) find themselves handcuffed togetherand at each others' throats! Relentlessly hunted through the Georgia wilderness, the reluctant allies fight their way into the underground of Atlanta, battling the authoritiesand each otherall the way. But when Dodge'sconnection to $25 million in stolen loot attracts mob assassins and corrupt government officials, the action is propelled into a deadly new dimension. With no place to hide, and everything to lose, Piper and Dodge embark on a blazing, take-no-prisoners quest to secure the key to their survival: a compute! r disk that could blow the lid off of a high-level scam.In the road-movie-reluctant-pals genre, Fled goes down a road well-taken and still manages to get lost. Defiant ones Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) escape from their chain gang when a prison break/shootout begins. Evading rednecks and faceless policemen they make it to Atlanta where "smart-ass" Dodge (who delivers one-liners that do a disservice to smart-asses everywhere) has to recover a computer disk. They are aided and abetted by Cora (Salma Hayek--this time using a funny hat, instead of her breasts, for character development), who takes the convicts in as if she were picking up college buddies from the airport. Maybe she realizes what great guys these prison-garbed buffoons are. They donate money to charity. They save dying rednecks. They rescue little boys from oncoming cars. Unfortunately, they can't save any of Dodge's old associates, like his stripper-with-an-apartment-of-gold gir! lfriend or his fellow computer hacker, from getting shot up by! Cuban M afia thugs that want that disk! Laurence Fishburne is the main reason to see the film, but that's a stretch, and Stephen Baldwin seems nothing like the same searing actor seen in The Usual Suspects. --Keith Simanton In the road-movie-reluctant-pals genre, Fled goes down a road well-taken and still manages to get lost. Defiant ones Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) escape from their chain gang when a prison break/shootout begins. Evading rednecks and faceless policemen they make it to Atlanta where "smart-ass" Dodge (who delivers one-liners that do a disservice to smart-asses everywhere) has to recover a computer disk. They are aided and abetted by Cora (Salma Hayek--this time using a funny hat, instead of her breasts, for character development), who takes the convicts in as if she were picking up college buddies from the airport. Maybe she realizes what great guys these prison-garbed buffoons are. They donate money to charity.! They save dying rednecks. They rescue little boys from oncoming cars. Unfortunately, they can't save any of Dodge's old associates, like his stripper-with-an-apartment-of-gold girlfriend or his fellow computer hacker, from getting shot up by Cuban Mafia thugs that want that disk! Laurence Fishburne is the main reason to see the film, but that's a stretch, and Stephen Baldwin seems nothing like the same searing actor seen in The Usual Suspects. --Keith Simanton In the road-movie-reluctant-pals genre, Fled goes down a road well-taken and still manages to get lost. Defiant ones Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) escape from their chain gang when a prison break/shootout begins. Evading rednecks and faceless policemen they make it to Atlanta where "smart-ass" Dodge (who delivers one-liners that do a disservice to smart-asses everywhere) has to recover a computer disk. They are aided and abetted by Cora (Salma Hayek--this time usin! g a funny hat, instead of her breasts, for character developme! nt), who takes the convicts in as if she were picking up college buddies from the airport. Maybe she realizes what great guys these prison-garbed buffoons are. They donate money to charity. They save dying rednecks. They rescue little boys from oncoming cars. Unfortunately, they can't save any of Dodge's old associates, like his stripper-with-an-apartment-of-gold girlfriend or his fellow computer hacker, from getting shot up by Cuban Mafia thugs that want that disk! Laurence Fishburne is the main reason to see the film, but that's a stretch, and Stephen Baldwin seems nothing like the same searing actor seen in The Usual Suspects. --Keith Simanton DVD

Sunday, December 25, 2011

I Sell the Dead [Blu-ray]

  • I SELL THE DEAD (DVD MOVIE)
Ein! Zwei! Die!
Get ready for the film that shocked Sundance, rocked Europe and knocked American horror fans out of their seats: When a group of medical students take a sex-and-booze-fueled ski vacation to a remote cabin in the Norwegian Alps, they uncover a dark secret from WWII that resurrects a battalion of uncontrollable, unstoppable and extremely undead Nazis. What follows is a blitzkrieg of bloodshed, body parts and action-packed zombie carnage that The New York Observer hails as relentless thrills, unimaginable horrors and a shock ending guaranteed to make you scream out loud! Writer/director Tommy Wirkola spares no amount of flesh-chomping, intestine-ripping, and chainsaw-slicing to deliver perhaps the finest Nazi Zombie movie of our time and one of the most ferocious, outrageous and over-the-top horror hits of the year!Let us begin with two words: "Nazi! zombies." Let us add two more: "Hitler's gold." Yes, it's true. These are the elements of Dead Snow, a Norwegian horror picture that unleashes an undead blitzkrieg across an otherwise inviting winter landscape. The five vacationing med students who have blundered into this backcountry in search of fun have no idea that their actions will draw the attention of the aforesaid zombies of the Third Reich (what these reanimated corpses are doing in the mountains of Norway will be explained in good time). It would be nice to report that Dead Snow lives up to the outrageousness of its concept, but far too much of this thing is taken up with standard-issue slasher tropes: self-conscious dialogue about the plot's resemblance to an Evil Dead scenario, gross-out moments for their own sake (a sequence in an outhouse is especially regrettable), and decidedly uneven acting. The movie earns a few points for a grabby nighttime opening sequence and its unhealthy devotio! n to the art of entrails stretching (which, when it comes to p! eople ha nging off snowy cliffs, can have practical applications you probably never even thought about). The enthusiastic mayhem can't be denied, so if a sheer body count is your yardstick, Dead Snow comes across. But given the proximity of Nazi gold and the possibilities suggested by Hitler's minions returning from their snowy graves, this movie disappoints. --Robert HortonEin! Zwei! Die!
Get ready for the film that shocked Sundance, rocked Europe and knocked American horror fans out of their seats: When a group of medical students take a sex-and-booze-fueled ski vacation to a remote cabin in the Norwegian Alps, they uncover a dark secret from WWII that resurrects a battalion of uncontrollable, unstoppable and extremely undead Nazis. What follows is a blitzkrieg of bloodshed, body parts and action-packed zombie carnage that The New York Observer hails as relentless thrills, unimaginable horrors and a shock ending guaranteed to make you scream out loud! Writer/direct! or Tommy Wirkola spares no amount of flesh-chomping, intestine-ripping, and chainsaw-slicing to deliver perhaps the finest Nazi Zombie movie of our time and one of the most ferocious, outrageous and over-the-top horror hits of the year!Let us begin with two words: "Nazi zombies." Let us add two more: "Hitler's gold." Yes, it's true. These are the elements of Dead Snow, a Norwegian horror picture that unleashes an undead blitzkrieg across an otherwise inviting winter landscape. The five vacationing med students who have blundered into this backcountry in search of fun have no idea that their actions will draw the attention of the aforesaid zombies of the Third Reich (what these reanimated corpses are doing in the mountains of Norway will be explained in good time). It would be nice to report that Dead Snow lives up to the outrageousness of its concept, but far too much of this thing is taken up with standard-issue slasher tropes: self-conscious dialogue about t! he plot's resemblance to an Evil Dead scenario, gross-o! ut momen ts for their own sake (a sequence in an outhouse is especially regrettable), and decidedly uneven acting. The movie earns a few points for a grabby nighttime opening sequence and its unhealthy devotion to the art of entrails stretching (which, when it comes to people hanging off snowy cliffs, can have practical applications you probably never even thought about). The enthusiastic mayhem can't be denied, so if a sheer body count is your yardstick, Dead Snow comes across. But given the proximity of Nazi gold and the possibilities suggested by Hitler's minions returning from their snowy graves, this movie disappoints. --Robert HortonNever Trust A Corpse
It was a time of ghouls, ghosts and most ghastly of all, the fine art of grave robbing. Dominic Monaghan of LORD OF THE RINGS and LOST stars as 19th century corpse snatcher Arthur Blake, who pilfered the cemeteries and coffins of England until his capture by police. But just before Blake is to meet the hangman s! noose, he will confess to a peculiar priest (Ron Perlman of HELLBOY and SONS OF ANARCHY) his gruesome tale of vampires, zombies and cadaver dealing that takes him from the savagery of the criminal underworld to the terrors of the undead. Producer Larry Fessenden (WENDIGO, THE LAST WINTER) and Angus Scrimm (PHANTASM) co-star in this deliriously grisly and hilarious homage to foggy graveyards, bloody mayhem and the golden age gothic horror.

Tuesday, December 20, 2011

Photographic Prints of Aryan Types/couple from Mary Evans

Friday, December 16, 2011

Abandoned: A Thriller

  • ISBN13: 9780553591347
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
There are rules for dealing with ghosts. Too bad Ree Hutchins doesn't know them.

When her favorite patient at a private mental hospital passes away, psychology student Ree Hutchins mourns the elderly woman's death. But more unsettling is her growing suspicion that something unnatural is shadowing her.

Amateur ghost hunter Hayden Priest believes Ree is being haunted. Even Amelia Gray, known in Charleston as The Graveyard Queen, senses a gathering darkness. Driven by a force she doesn't understand, Ree is compelled to uncover an old secret and put abandoned souls to restâ€"before she is locked away forever....

An ebook exclusive prequel to The Graveyard Queen series.There are rule! s for dealing with ghosts. Too bad Ree Hutchins doesn't know them.

When her favorite patient at a private mental hospital passes away, psychology student Ree Hutchins mourns the elderly woman's death. But more unsettling is her growing suspicion that something unnatural is shadowing her.

Amateur ghost hunter Hayden Priest believes Ree is being haunted. Even Amelia Gray, known in Charleston as The Graveyard Queen, senses a gathering darkness. Driven by a force she doesn't understand, Ree is compelled to uncover an old secret and put abandoned souls to restâ€"before she is locked away forever....

An ebook exclusive prequel to The Graveyard Queen series.Little Boy Lost, Book Two

Jamie is gone.

Brian's secret has been revealed.

Brian McAllister's story continues as he tries to cope with the loss of his best friend and soul mate amid the alienation and ridicule of his classmates. When hatred turns to violence, Brian narrows h! is focus to two goals: surviving and finding Jamie. Along the ! way he m eets Adam, whose life has also been shattered by violence and cruelty. Can Adam fill the hole in Brian's life left by Jamie's absence? The answer will change everything.Little Boy Lost, Book Two

Jamie is gone.

Brian's secret has been revealed.

Brian McAllister's story continues as he tries to cope with the loss of his best friend and soul mate amid the alienation and ridicule of his classmates. When hatred turns to violence, Brian narrows his focus to two goals: surviving and finding Jamie. Along the way he meets Adam, whose life has also been shattered by violence and cruelty. Can Adam fill the hole in Brian's life left by Jamie's absence? The answer will change everything.

On Christmas Eve in 1985, a hunter found a young boy's body along an icy corn field in Nebraska. The residents of Chester, Nebraska buried him as "Little Boy Blue," unclaimed and unidentified-- until a phone call from Ohio two years later led authorities to Eli Stutzman, the b! oy's father.

Eli Stutzman, the son of an Amish bishop, was by all appearances a dedicated farmer and family man in the country's strictest religious sect. But behind his quiet façade was a man involved with pornography, sadomasochism, and drugs. After the suspicious death of his pregnant wife, Stutzman took his preschool-age son, Danny, and hit the road on a sexual odyssey ending with his conviction for murder. But the mystery of Eli Stutzman and the fate of his son didn't end on the barren Nebraska plains. It was just beginning. . .
Much has been written about World War II, but not often do we hear about the immeasurable suffering of the Germans who wanted no part of Hitler's regime. Abandoned and Forgotten is the memoir of a young girl growing up in the then-German province of East Prussia by the Baltic Sea. Orphaned at the age of nine and left to fend for herself in a hostile world, Evelyne Tannehill witnessed firsthand what happens when law an! d order break down and self-preservation becomes the only thin! g that m atters. Her journey is a poignant example of how resilient the human spirit can be, even in the face of war's greatest horrors.For FBI Special Agent Smoky Barrett, her colleague’s wedding is cause for celebration. Until a woman staggers down the aisleâ€"incoherent, wearing only a white nightgown. A fingerprint check determines that she’s been missing for nearly eight years. Her coldly efficient captor toyed with her mind and body, imprisoning her, depriving her of any contact with the outside world. As Smoky fits together the pieces of what remains of the victim’s fractured life, a chilling picture emerges of a cerebral psychopath who doesn’t take murder personally, never makes a mistake, follows his own sinister logic, and has set the perfect trap.
  Cody McFadyen on Abandoned

I build my bo! oks around the bad guy. I have from the first. I remember making a conscious decision to build my bad guys a little bit outside the box--the box being the firm reality we all know and agree to be.

Why?

Because it’s a lot more fun to write about serial killers that way.

Think about it. Hannibal Lecter is a lot more interesting than Son of Sam. Hannibal is brilliant, complex, unclassifiable. He kills with finesse and precision. Son of Sam was an unhinged lunatic, blowing people away at random. As a character, Hannibal is much more interesting to write about (and read). Because true serial killers aren’t super villains. They’re disturbed, sordid individuals, driven by hungers and needs that usually destroy them from the inside out. A lot of the time, they’re socially inept, and not very smart. Their depravity is most often senseless. Writing about what they do would be like writing about a great white shark: it eats because it is hungry an! d it has such big sharp teeth... you can’t sustain an entire! novel o n pure savagery. So I like for my bad guys to have a reason for what they do, some guiding purpose. Otherwise, all I’m doing is asking you to pull up a chair and watch the feast--and while something in our reptile brains might enjoy seeing a little bit of the feast, we shy away from the full truth of it.

So when I started thinking about Abandoned, the fourth book in my series, I started by thinking about my killer. I wanted to do something different, but what? The killers in the books earlier in the series had all been pretty "hungry;" in other words, they were appetite driven. "So what," I thought, "about a killer with no appetite at all?"

I actually rejected it at first, but the idea kept swimming back to the forefront. There was something terrifying about the idea of someone operating with such cold clarity. It was haunting me--which is always a good sign! I thought about it a lot and finally realized what (for me at least) makes such a kil! ler so chilling: that kind of coldness relegates us to nothing, nothing at all.

The killer who is purposefully cruel, the killer who drools with excitement, still needs our humanity, at whatever level. There is a validation of our value as sentient, emotional beings, even if that only means they need our fear and our horror. It’s a terrible kind of "mattering," but still, we matter.

In the world of the killer I envisaged, we don’t matter at all. There’s no intentional cruelty, no enjoyment of our suffering, no acknowledgement of the value of our existence. He assigns his victims numbers, because it’s a more economical use of oxygen than saying their names.

I saw him, he terrified me, and then I wrote him. He lies within the pages of Abandoned. It’s my hope he’ll terrify you as well.--Cody McFadyen