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It's Christmas Eve, when even the most voracious corporate climbers generally head home by dinner time. But not ANGELA (Rachael Nichols). She's the last one left at the office, determined to close one more deal before the holiday. The long hours she keeps will have an impact, but not the kind she's been hoping for.Stalker in a parking garage. You've got to give the makers of
P2 credit: They've tapped a universal source of anxiety and stretched it out into a feature-length film. Underneath a Manhattan skyscraper, chic businesswoman Angela (Rachel Nichols) is knocking off for the Christmas holiday. Everybody else has cleared out of the garage--everybody but freaky-frien! dly attendant Tom (Wes Bentley), and his little dog too. Before long, Tom makes it clear that he'd like to have Angela for holiday dinner, whatever that might mean. Our heroine must summon all her resources, and the challenge of a low-cut dinner gown, to fight back.
P2 (no, it's not the sequel to
P) at least allows Angela a measure of common sense, as she actually thinks of some logical ways to fight back, and director Franck Khalfoun (working from an idea by
Haute Tension guys Alexandre Aja and Gregory Levasseur) does indeed get the most out of the parking garage location. But the movie's at a loss to make these two characters interesting in any way, even at the Coyote vs. Roadrunner level. Tom's little quirks, like miming a dance to Elvis Presley's "Blue Christmas," feel like a desperate attempt to add flavor to an otherwise standard-issue creepo. Bentley (best known for
American Beauty) does have the face of an obsessive, and Nichols has the f! ace (and did we mention the cleavage?) of a movie star, so the! y're not hard to believe. But most of the time this movie is stuck on the wrong floor.
--Robert HortonAfter a botched home robbery in a wealthy community leaves a small child dead, a single clue leads police detective Noah Cordin (Nick Stahl of Terminator 3 and Sin City) and his new partner (Rachel Nichols of Star Trek) to Cordin's nearby working-class hometown. But in a struggling community full of desperate suspects, including a local laborer (Kellan Lutz of The Twilight Saga), the fuse is lit on a conflict that goes far deeper than homicide. Jonathan Tucker (Texas Chainsaw Massacre, The Ruins), Grace Gummer (Gigantic) and Norman Reedus (The Boondock Saints) co-star in this provocative indie drama from writer/director Josh Sternfeld (Winter Solstice) about a shocking crime, an extreme investigation, and the tensions--and passions--that will explode in a county called MESKADA.WOODS - DVD MovieStudio: Monarch Video Assoc. Release Date: 10/27/2009 Run time: 94 minutes Ratin! g: RFour months after pregnant Sara loses her husband in a horrific auto accident, she is visited on Christmas Eve by a mysterious madwoman. Alone and desperate to save her unborn child, Sara fights to stay alive as each of her potential rescuers die at the womans sadistic hands.Hailed by several critics as the first great French horror film this millennium,
Inside opens on a gory note and stays true to the bloodfest throughout. But rather than using splatter-gore for comedic effect, as did young directing team Julien Maury and Alexandre Bustillo's predecessor, Hershell Gordon-Lewis, this duo timed their gore to build tragic suspense, scene after disgusting scene. The strength of
Inside's plot is its simplicity, though the film is slow at first. Pregnant photojournalist, Sarah Scaragato (Alysson Paradis), has just lost her husband in a fatal car accident and is in recovery when her baby is due on Christmas Eve, in fact. Morose, she rejects friend and family vi! sits, opting to stay home. A bewitched predator, played by Bea! trice Da lle, senses Sarah's vulnerability and seizes upon it like a spider capturing prey in its web. The tale, woven around maternal psychosis, reveals Dalle's haunting preoccupation with stealing Scaragato's unborn baby. Each character who enters Sarah's house, the "war zone" as one doomed policeman puts it, encounters the wrath of two women fighting with mirror shards, knitting needles, scissors, hurled kitchen appliances, and even a homemade bayonette. Like the best horror thrillers about motherhood---
Rosemary's Baby,
Don't Look Now,
Alien---
Inside seizes ample symbolic opportunities to exhibit the primal obsession women have with babies. Even better,
Inside invites feminist critique as do other female-centric horror films such as
Ginger Snaps, whose plots not only include strong, vengeful female victims, but also sympathetic, criminal femme fatales. An entertaining "Making of
Inside" featurette follows, revealing makeup and speci! al effects techniques.
Inside is for a specific audience; as scenes get redder and wetter, the squeamish may find it sickening---beware and enjoy. â€"
Trinie Daltonthe latest stories for men interested in pop culture, celebrities, entertainment, relationships, style and fashion advice. Audience: Adult Male13x19 inches of high definition quality Rachel Nichols in a sexy bikini.
