The Slingshot Movie Poster (11 x 17 Inches - 28cm x 44cm) (2009) Korean Style D -(Park Yong-ha)(Kim Kang-woo)(Park Si-yeon)(Lee Philip)(Han Yeo-woon)(Lee Moon-sik)

• The Slingshot Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Korean Style D
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
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The Slingshot Poster (11 x 17 Inches - 28cm x 44cm) (2009) Korean Style D reproduction poster print

CAST: Park Yong-ha, Kim Kang-woo, Park Si-yeon, Lee Philip, Han Yeo-woon, Lee Moon-sik; DIRECTED BY: Yoon Seong-sik;

Children of Dune Movie Poster (11 x 17 Inches - 28cm x 44cm) (2003) Style A -(Alec Newman)(Julie Cox)(Edward Atterton)(Ian McNeice)(Barbora Kodetová)(Steven Berkoff)

• Children of Dune Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Style A
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
• Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
• Size is provided by the manufacturer and may not be exact
• Packaged with care and shipped in sturdy reinforced packing material

Children of Dune Poster (11 x 17 Inches - 28cm x 44cm) (2003) Style A reproduction poster print

CAST: Alec Newman, Julie Cox, Edward Atterton, Ian McNeice, Barbora Kodetová, Steven Berkoff, Daniela Amavia, ; DIRECTED BY: Greg Yaitanes;

NATASHA HENSTRIDGE 24x36 COLOR POSTER PRINT

• Stunning quality 24x36 inch Poster Print!
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A rogue asteroid smashes into the moon in a tremendous explosion of rock and debris. Within days, disastrous abnormalities start happening on Earth. What started as the most beautiful and the largest meteor shower in 10,000 years unexpectedly becomes the catalyst for a potential collison between the moon and planet Earth. The world's leading scientists, Alex Kittner (David James Elliott, TV's JAG) and Maddie Rhodes (Natasha Henstridge, Species) have 39 days to stop the moon's course or the Earth - - and all of mankind - - will perish. Also starring James Cromwell (W. and The Green Mile). The countdown is on.What if the government established a clandestine organization to ! rid the world of evil-doers? What if the spies recruited for this covert organization were multitalented convicted felons played by Natasha Henstridge (Commander In Chief), Kristen Miller, and Natashia Williams? What if there were no rhetorical questions in the world? Hard to imagine? Meet the felonious femmes fatale of "She Spies".Campy, earnest, and (at times) funny, She Spies: The Complete First Season is more VIP and Charlie's Angels (with a little classic Batman thrown in) than Alias or La Femme Nikita. Showcasing the considerable physical charms of Natasha Henstridge, Kristen Miller, and Natashia Williams, who portray recovering criminals turned sexy she-spies Cassie, D.D., and Shane, respectively, the whodunit series offers a tongue-in-cheek alternative to hardcore crime-solving shows.

She Spies debuted on NBC in 2002. After three episodes, the series went into syndication and did well enough to nab a second ! full season. But whether they're waxing euphoric about the cur! rent sta te of affairs or the improbable plausibility of their own show, the women exhibit pluck and fairly decent comedic timing. Henstridge, best known for her femme fatale roles, is surprisingly funny, especially when mocking her own sex-symbol image.

Plot isn't a huge deal in any of the 20 episodes included on this four-disc set. In the pilot episode, for instance, no one questions why a talk show hosted by a former politician is run by his campaign manager rather than a professional television producer. The plotline is only slightly more integral when it can get one of the spies into lingerie or other skimpy clothing. Never mind that not one of the three spies looks like she could effectively execute a roundhouse kick to the enemy. The fact is, they all look fabulous nabbing the bad guys without breaking a nail or into a nasty sweat. And sometimes, that's what it's really about. --Jae-Ha KimNatasha Henstridge smokes a cigarette and hides her eyes behind dark glasse! s while coolly sizing up her next assignment, and then launches into action. Is she a femme fatale, or merely a hard-boiled fiction fan looking for a job in Angus MacFadyen's musty, messy bookstore? Before we can find out, she's clipped in a hit and run and wakes up with amnesia. Or is it just a ruse, and if so, why? Of course nothing is as it seems in this sleek, slick, modern film noir. MacFadyen has an awful lot of money for a man who actively dissuades browsers and buyers from his store; Henstridge is shadowed by a couple of menacing-looking characters; and somewhere in the back of it all a creepy Peter Fonda is pulling the strings as a calmly meticulous and coldly ruthless crime boss. Darrell James Roodt directs this twisting tale of secret identities, double crosses, hidden pasts, and concealed loyalties with all the grit and depth of a fashion layout: it's handsome but hollow. Thankfully there's the criminally underrated Henstridge at the center of all the mysteries,! a sexy, assured, riveting presence who gives weight to the fi! lm's mos t enigmatic character. Perhaps it's not so hard after all to understand loner MacFadyen risking his present for a future with the fiery, dangerous Henstridge. --Sean Axmaker MAXIMUM RISK - DVD MovieWhen a kickboxing police inspector is murdered, his kickboxing twin brother infiltrates the Russian mob in order to see justice meted out--as painfully as possible. A slimmed-down Jean-Claude Van Damme is surprisingly effective as the lead(s), but the real star here is gritty Hong Kong director Ringo Lam (probably best known for City on Fire, the film that inspired Quentin Tarantino's Reservoir Dogs), who makes a lethal American debut with this hard-edged, convoluted film, which uses the identical-sibling gimmick to considerably darker effect than the goofball Double Impact. Some incredible stunt work and a terrifically ruthless final reel make this underrated action film a winner, although fans of Species may be somewhat disappointed that costar! Natasha Henstridge never fully displays the assets that made her famous. --Andrew Wright "They could f**k the human race out of existence!" warns Michael Madsen in this inevitable--and inevitably contrived--sequel to 1995's surprise sci-fi hit. He's referring to a celebrated astronaut (Justin Lazard) infected with alien DNA from his history-making Mars landing, and the half-alien Eve (Natasha Henstridge), who was created from alien-human embryo splicing by biochemist Dr. Laura Baker (Marg Helgenberger) in an effort to discover the alien species's vulnerabilities on Earth. While the astronaut sows his gruesomely wild oats with doomed women (resulting in a bevy of creepy kids in alien cocoons), Eve goes into heat until she and the astronaut can consummate their procreative lust. Sex and death are served up like money-shots in a porno flick, with an emphasis on gory flesh-regeneration, explosive pregnancies, and slimy-tentacled intercourse. All of which makes this is t! he kind of derivative schlock that only a true fan could love,! but it' s boosted to a tolerable level of entertainment by the returning cast (Madsen, Henstridge, and Helgenberger) from the previous film. --Jeff Shannon STEAL - DVD MovieStudio: Uni Dist Corp (music) Release Date: 11/09/2010This is a truly exceptional item! A high quality poster print measuring 24x36 inches professionally printed on quality Kodak photographic paper. This is no ordinary cheap commercial poster on thin art paper. Our poster is produced on real photo paper by our experienced photo technicians here at Moviestore. We guarantee that you will be delighted with the look, feel and overall stunning quality of your purchase. We offer a full refund of your money if you are not fully satisfied! Buy with confidence from Moviestore.

DENISE VAN OUTEN 11X14 COLOR PHOTO

• Description: High Quality real photograph printed on Fuji Paper.
• Size: 11X14 inches

Tell Me On A Sunday by Denise Van Outen

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

This 2003 cast recording is an update of a song cycle by Andrew Lloyd Webber and lyricist Don Black. First produced in London in 1982 as half of an evening titled Song and Dance, Tell Me on a Sunday is pretty much a one-woman show and a vehicle for a versatile singer with strong acting skills (Bernadette Peters won a Tony for it in 1985). This time, Denise Van Outen, a Chicago alum, takes on the role of the young British woman who goes to New York in order to get over a broken heart. Overall, this is one of Sir Lloyd Webber's most rocking scores, even if too often the results sound like the work of someone desperatel! y trying to sound au courant. "Haven in the Sky," for instance, is a quasi-dance track with a trip-hop beat. When the heroine goes to L.A., the tone turns to folk-rock ("Capped Teeth and Caesar Salad"), but the composer is defeated by Black's clunky lyrics. Kudos to Van Outen for infusing perky charm into even the tritest moments. --Elisabeth VincentelliWhen Denise found out she was expecting Betsy, she went straight out and bought a wide range of titles, from celebrity mumoir to practical guides to eating and exercising properly. But all of these books were missing something - the element of fun! BUMPALICIOUS is much more than just a pregnancy diary - as well as Denise's own personal experiences, you'll also find helpful hints and tips, non-judgemental advice, nutritional and technical advice from food and fitness experts and, above all, a book that encourages you to relax and ENJOY the excitement of pregnancy and the first few months of being a new mum. The ! road to giving birth may be a bumpy one but it's not all swoll! en ankle s and morning sickness. A frank first-hand account of what to expect when you're expecting, reading BUMPALICIOUS is like sitting down and having a good old natter with Denise, from the comfort of your couch.At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!

Beautiful

• BEAUTIFUL (DVD MOVIE)

Some secrets ar best left buried... After another teenage girl disappears from the idyllic suburb of Sunshine Hills, Suzy (Tahyna Tozzi) suspects the strange woman who lurks in the window of house number 46 and the rumbling black Ford that creeps the streets at sundown. Using her seductive charm, Suzy persuades Danny (Sebastian Gregory), her 14-year-old admirer, to help her uncover the truth.

Color of Night

• New York psychologist Dr. Bill Capa, haunted by the bizarre suicide of a patient, abandons his successful practice and relocates to Los Angeles. Immediately he finds himself entangled in an explosive sexual relationship with a beautiful but enigmatic woman named Rose, who may hold the key to the mysterious burtal murder of his friend and colleague. System Requirements: Starring: Bruce Willis,

From the novel of the same namewhich has sold over one million copies in 43 languagesthis "sophisticated adaptation of Marguerite Duras' best-selling memoirs" (Variety) smolders on the screen. "Masterfully acted and beautifully photographed" (Critics' Choice), The Lover brilliantly captures the essence of sexual awakening and forbidden desire like no other film has donebeforeor since. Jane March is mesmerizing in the role of a poor French teenager who engages in an illicit affair with a wealthy Chinese ! heir (Tony Leung) in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters. But though the lovers are able to transcend their differences in age, race and class'theirs is a future that French colonial Vietnamese society will never allow.Lovely to look at, this story reveals little more than the characters' nude bodies. Like couples whose only attraction is physical, this has little to offer once it leaves the bedroom. We never learn the interests or inner workings of the lovers in question. They become nothing more than attractive bodies, which makes this little more than a shallow exercise in sexuality. The story is based on the controversial, and supposedly autobiographical, bestseller by experimental French novelist Marguerite Duras. It tells the story of a young French schoolgirl who becomes sexually involved with a sophisticated, older Asian ! man. Set in Indochina in the late 1920s, this is stunningly ph! otograph ed and artfully directed by Jean-Jacques Annaud. That said, the lack of a more satisfying plot means this is merely tastefully produced soft porn. --Rochelle O'Gorman Haunted by the bizarre suicide of a patient, New York psychologist Dr. Bill Capa abandons his successful practice and relocates to L.A., but his encounters there prove as shocking as the chilling event he has run away from, and he immediately finds himself entangled in an explosive sexual relationship with a beautiful but enigmatic woman named Rose, and the investigation into the brutal stabbing murder of a friend and colleague, Dr. Bob Moore. A moth drawn to a flame, Dr. Capa is lured to Rose by his sexual cravings, and he discovers this woman has the power to fulfill his most reckless erotic fantasies. Yet, the more she satisfies him, the more he finds himself enslaved by her manipulation and control. As Capa gets closer to identifying the killer of his patient, Rose becomes an equally tantalizing myst! ery that he must solve -- if he can stay alive long enough to avoid a lunatic murderer who is stalking him.Psychological twists and turns strangle the plot of this disappointing effort from the director of The Stunt Man, Richard Rush. Emotionally damaged psychiatrist Bruce Willis leaves his practice behind and moves to LA when a patient commits suicide in front of him. Out of the goodness of his broken heart, he takes over the practice of a murdered colleague (Scott Bakula). Jane March is the needy but mysterious woman who literally crashes into his life, making sexual advances the good doctor soon reciprocates. What March seems to need most, however, is underwear. The plot and the dialogue vacillate between silly and inane, leaving us with some so-so sex and overblown performances. This could explain why it was the winner of the 1995 Razzie Award for Worst Picture. If you want a more effective thriller that delves into damaged psyches, take another look at Alfred Hi! tchcock's Vertigo. --Rochelle O'Gorman

Professionally Framed Peter Lindbergh (Linda Evangelista) Art Poster - 24x36 with RichAndFramous Black Wood Frame

• Your professionally framed poster ships ready-to-hang!
• Premium quality RichAndFramous wood frame with 1.25 inch wide moulding.
• Lightweight, glare-reducing styrene front secures and protects artwork.
• Custom Made for years of quality enjoyment.
• Frame size approximately 25.00 by 37.00 inches for print size 24.00 by 36.00.

Douglas Keeve's witty, energetic 1995 documentary about his then-lover, fashion designer Isaac Mizrahi, begins with Mizrahi reading mixed reviews of his 1993 show of new outfits and then follows him for the next year as Mizrahi seeks inspiration for his next public showcase. Sardonic, witty, and immensely likable, Mizrahi sets about finding his new muse, which turns out to be a lively but unlikely marriage of "'50s cheesecake meets Eskimo fake fur." Keeve shows us most stages of the production process and the related disasters and heightened anxi! eties that attend. He also gives us a big finish with a fly-on-the-wall look at the backstage mania that fuels those celebrity-packed rituals, where leggy supermodels walk dispassionately down long runways. Some of the best, bitchiest stuff is in the way the busy models deal with the presence of Keeve's cameras: Naomi Campbell comes across as a crab while Cindy Crawford could easily be anybody's swell, flirty pal. But we already knew that, didn't we? Shot mostly in black and white, with color stock reserved, quite wisely, for the climactic big show. --Tom KeoghThis book combines beautiful never-before-seen candid photos of intimate and memorable moments, stories, private and personal words of Anna Nicole Smith combined with new details about some of her deepest darkest secrets. Brought to you by her best friends Pol Atteu and Patrik Simpson. They insisted Anna, who always said I m gonna do it my way was a NOT-SO-DUMB BLONDE but in fact was a smart, shrewd woman who, ! although lacked a formal education, played the role of the dum! b blonde well it didn t play her. You will see Anna Nicole as funny, beautiful, sexy, and naughty, a wonderful mother, a true confidant, but most of all...a friend. Pol and Patrik were present at every aspect of her life and knew all her well-kept secrets too; was Larry Birkhead FAMILY ? Was Howard K. Stern her true love? What kind of a monster was Anna s mother, Virgie Arthur? Everyone knew Anna Nicole Smith. People wanted to touch her. They wanted to be with her. They wanted to be her. Anna was larger than life. It didn t matter if Jennifer Lopez walked through the door before her or Brad Pitt behind her. When Anna entered a room and turned her celebrity on, the crowds cheered. This book is to memorialize and celebrate Anna s life. We will always love and miss her. Not a day goes by that we don t think about her. She touched our lives and everyone else she ever knew. The world suffered a great loss when she died on February 8, 2007 and the enormous outpouring of grief made it clea! r that Anna Nicole Smith was more than just a celebrity...she was an icon.

Primeval

• Inspired by the true story of a legendary 25-foot man-eating crocodile comes the intense, terrifying horror movie PRIMEVAL, starring Dominic Purcell (TV's PRISON BREAK) and Orlando Jones (RUNAWAY JURY, EVOLUTION). An American news crew, determined to capture this voracious monster and stop his demonic rampage, travel deep within the darkest reaches of Africa to hunt their prey. But Gustave, as

Inspired by the true story of a legendary 25-foot man-eating crocodile comes the intense, terrifying horror movie PRIMEVAL, starring Dominic Purcell (TV's PRISON BREAK) and Orlando Jones (RUNAWAY JURY, EVOLUTION). An American news crew, determined to capture this voracious monster and stop his demonic rampage, travel deep within the darkest reaches of Africa to hunt their prey. But Gustave, as the natives call him, is also on the hunt â€" always on the move, always elusive, always hungry for human flesh! . Heart-pounding fear is nonstop in this edge-of-your-seat nail-biter about the cunning killer who continues to blaze his blood-soaked trail of terror.Who would have thought that Primeval, a movie about a giant man-eating crocodile, would turn out to be closer in spirit to Hotel Rwanda and Blood Diamond than to the average slasher-movie horror flick? Perhaps it doesn't aim at the social-issue heights of those more prestigious films, and the acting is uneven to say the least, but give this monster movie credit for trying to get in the smart, edgy vein of some of John Sayles's early scripts for Roger Corman. A cable-TV news crew travels to Burundi to capture footage of (and, if possible, just plain capture) the enormous crocodile that's been terrorizing the local landscape. Making things more complicated: the local landscape is also being terrorized by a civil war. The film does a clever job of weaving the two scourges together, and the script by John Br! ancato and Michael Ferris pays surprisingly explicit attention! to the way the West has been slow to acknowledge human-rights disasters in Africa, calling out Rwanda and Darfur by name. Now if only the characters were more than cardboard-thin; only Orlando Jones, doing the standard-issue wisecracking black sidekick, makes any particular impression. (Poor Jurgen Prochnow, glowering about in the Great White Hunter role--you'd think the guy who commanded Das Boot could knock off a giant reptile, no problem.) Pedestrian direction doesn't bring the human element to life, but give it up for a fine crocodile--his name is Gustave--who exists in a nifty, hungry computer-generated frenzy for most of his performance. And the script even provides Gustave some behavioral motivation that recalls the it's-not-their-fault-it's-man's-fault spirit of 1950s monster movies. Not a bad effort at all. --Robert Horton